MIRROR BLACK
By Robert Mueller

Mr. Carder’s use of mirror black was masterful. He would be able to use this color with great drama in so many ways and combinations. From solid color pieces, to an outer layer of mirror black over any number of colors on acid etched piece, or for a contrast of perfection with an applied trim, or an accent knob or handle.

All shiny blacks are not equal. When comparing Mr. Carder’s mirror black to a similar version of his competition’s black glass, the contrast is immediate. The superiority of gloss, shine and the many uses of applications by Mr. Carder are “oh so” obvious.

Mr. Carder extensively used his mirror glass from about 1915 until the mid 30s. Even pieces of Ivrene made after Mr. Carder’s 1932 departure might have mirror black trim on the handles.

As we look at this glass, the boldness of design contrast just rivets your attention and brings importance to the piece.

In 1932 Mr. Carder used mirror black cased over crystal to come up with one of his best cut designs. His Poussin design, cut and engraved shows such boldness in the piece and pattern.

He would apply his mirror black dramatically with ivory, alabaster, Rosaline or green jade. One was more exciting than the next. But, then came black as an accent to Blue and Gold Aurene; some of his greatest acid etched pieces. I feel of the two, Gold Aurene was the best.

Of the many color combination for Carder’s mirror black the best to me was alabaster. Some people would say that this was a match made in heaven. When I see a piece of alabaster with just a touch of mirror black decorations added, I always get excited.

To think that Mr. Carder could use this color with his Aurene’s, jades, Cluthra, Cintra, ivory, alabaster plus a few more; Mr. Carder’s mirror black is his most versatile and useful decorating color made at Steuben Glass.

Bob Mueller
Osseo , MN
July 20, 2009