Thank you for mentioning me in connection with the Corning Studio. I am an instructor at the Corning Studio since 2005. I just finished teaching a full class with nine students this past July. The class went from 9:00 in the morning to 11:00 each night, we practically closed down the studio each night. It was a terrific class. I am very proud to have earned the right to see my name on the flamework studio door as an instructor.I have taken only one class at the studio. I am for the most part self taught. I was asked in 2005 to teach a class at the studio for the first time. It was a fantastic experience. I was hooked on the studio for life.
In the summer of 2006 I decided I wanted to learn more to advance my ideas and techniques. I took a class and studied with Jiri Harcuba and Martin Rosol. Not many experienced artists like myself go ‘back to school”. I was proud to be there learning and hope to do it again soon. It is such an enormous opportunity to study with Martin and Jiri at Corning. The class gave me the chance to spend time with them and get to know them better.
I learned a tremendous amount of new information from Martin and Jiri and it made it possible for me to advance my work .Corning has the very best artists today teaching classes. I would recommend the classes at Corning for all levels of experience, even if you have never touched glass.
It is the best place to explore the world of hot and cold glass and see glass being created.
The Corning studio is a unique place. It is the only studio I have been to outside my own, that I felt so comfortable . The people that run the studio are outstanding. Amy, Bill, Karen, Harry, Carl, and Jeremy are terrific and cater to your every need with such sincerity and respect. I learned a lot from being around them.
The Days inn is a great place to stay while taking a class and I have made friends at the Crystal City bakery and cafe, which is just next door to the hotel. (By the way great donuts and pastries as well as breakfast). I think it is terrific to have the Carder glass right next to the studio. I often sit alone in the evening in the Carder exhibit and think about all the hopes and dreams Mr. Carder had for his own work. I understand what went into making the work, all of the trials and disappointments as well as the highlights and successes. Most importantly the need to be remembered. The Studio is one of the few places that really re-creates an experience that helps the public connect to Carder in a meaningful way. Mr. Carder would approve.
Take Care,
All the best,
Debbie
Debbie Tarsitano
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